Regatta at Argenteuil, 1866 by Eugène Boudin
Canvas Print - 6299-EBU

Location: Johannesburg Art Gallery, South Africa
Original Size: 45.5 × 73 cm

Regatta at Argenteuil by Eugène Boudin (1866) is reproduced as a museum-quality giclée canvas print. Printed with archival inks on 400 g/m² canvas and hand-varnished for UV protection, it can be made in any size up to 25 × 41.3 in, scaled proportionally, with optional framing. Free worldwide shipping available; unframed prints ship in 2 workdays, framed in 7 to 8. Guaranteed 100-year color durability.

Giclée Canvas Print | $61.81 USD

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SKU:6299-EBU
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Production: 2 Workdays
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Giclée Print Quality on 400 g/m² Canvas, Satin/Gloss

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Largest Available
25″ × 41.3″
Framing: Long Side Up to 28"
Can be Framed

Sizes scale proportionally to the original. Dimensions shown are for the printed area - we always add 1.2 in of blank canvas on every side for stretching.

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Questions about this Print

The size you set is the printed image, the part you see once the canvas is stretched. Beyond that size we add 1.2 in of blank canvas on every side, at no extra cost, so the stretcher bars have something to grip. A 13.1 × 21.7 in print therefore arrives as 15.5 × 24 in. Both numbers are shown in Your Selection above and change with the slider.

Yes. The slider covers every size up to 25 × 41.3 in, always in the proportions of the original. If you need something larger, or a size that has to fit a frame you already own, write to us with the title and the dimensions and we will tell you what is possible. Every print is made to order, so there is usually a way.

Because the original is an oil painting on canvas. We match the print medium to the original: oil paintings go on canvas, works on paper go on fine art paper. Our canvas is natural cotton, 400 g/m² Canvas, acid-free and pH neutral, and its woven texture gives the most natural impression of Eugène Boudin's original oil painting. The finish is satin/gloss, which keeps the depth of the dark tones the way varnish does on a painting in a museum; a matte canvas looks dull and pale next to it. More about our print media.

Start with the original, which measures 45.5 × 73 cm. A print at or near that size reads the way the artist judged it. Printing smaller is easy; enlarging a small original changes its character. For the wall, above a sofa or a sideboard aim for two thirds to three quarters of the furniture width, and hang the center at eye level. Cut paper to size and tape it to the wall before you order. The original hangs in Johannesburg Art Gallery, South Africa. Full size guide.
30-day returns on unframed prints. Shipping, framing, care and returns are covered in our Help & FAQ.

About the Painting

Alright, let's have a gander at this Boudin beauty, shall we? "Regatta at Argenteuil, 1866" - what a delightful slice of bourgeois leisure on the Seine. Eugene's given us a proper snapshot of high society at play, but with his trademark touch of humility.

The canvas bursts with life - boats with billowing white sails dot the river like so many floating meringues. Our vantage point? Right there on the grassy bank, rubbing elbows with the well-heeled spectators. Boudin's no snob though - he's painted these posh folk with a decidedly egalitarian brush. They're just fuzzy blobs of color really, all frilly dresses and fancy hats melding into the landscape.

Now, about those colors - oh, it's a feast for the eyes! That sky - it's not your cliché azure blue, but a pearly grey that seems to shimmer and shift. Boudin's got clouds scudding across it in creamy whites and soft lavenders. Clever chap's used those same tones in the water, tying the whole composition together.

The technique? It's loose, my friends - impressionistic before that was even a thing. Boudin's not fussed about every little detail. Instead, he's captured the essence of the scene - the light, the atmosphere, the joie de vivre of a summer's day by the river.

Composition-wise, it's a bit of a corker. The horizon line's low, giving us this expansive sky that just makes you want to breathe deep. The way he's arranged those little clusters of people along the bank - it draws your eye right into the painting, doesn't it?

In a nutshell, it's a gem - a little slice of 19th-century French life that still feels fresh as a daisy. Boudin might not be as famous as some of his contemporaries, but this painting shows he could hold his own with the best of them.

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