Christ as Man of Sorrows with Angels' Halo by Sandro Botticelli
Canvas Print - 10190-BSF

Location: Private Collection
Original Size: 69 × 51.4 cm

Christ as Man of Sorrows with Angels' Halo by Botticelli is reproduced as a museum-quality giclée canvas print. Printed with archival inks on 400 g/m² canvas and hand-varnished for UV protection, it can be made in any size up to 29.9 × 22.6 in, scaled proportionally, with optional framing. Free worldwide shipping available; unframed prints ship in 2 workdays, framed in 7 to 8. Guaranteed 100-year color durability.

Giclée Canvas Print | $70.90 USD

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SKU:10190-BSF
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Giclée Print Quality on 400 g/m² Canvas, Satin/Gloss

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Largest Available
29.9″ × 22.6″
Framing: Long Side Up to 28"
Can be Framed

Sizes scale proportionally to the original. Dimensions shown are for the printed area - we always add 1.2 in of blank canvas on every side for stretching.

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Questions about this Print

The size you set is the printed image, the part you see once the canvas is stretched. Beyond that size we add 1.2 in of blank canvas on every side, at no extra cost, so the stretcher bars have something to grip. A 21.7 × 16.4 in print therefore arrives as 24 × 18.7 in. Both numbers are shown in Your Selection above and change with the slider.

Yes. The slider covers every size up to 29.9 × 22.6 in, always in the proportions of the original. If you need something larger, or a size that has to fit a frame you already own, write to us with the title and the dimensions and we will tell you what is possible. Every print is made to order, so there is usually a way.

Because the original is an oil painting on canvas. We match the print medium to the original: oil paintings go on canvas, works on paper go on fine art paper. Our canvas is natural cotton, 400 g/m² Canvas, acid-free and pH neutral, and its woven texture gives the most natural impression of Botticelli's original oil painting. The finish is satin/gloss, which keeps the depth of the dark tones the way varnish does on a painting in a museum; a matte canvas looks dull and pale next to it. More about our print media.

Start with the original, which measures 69 × 51.4 cm. A print at or near that size reads the way the artist judged it. Printing smaller is easy; enlarging a small original changes its character. For the wall, above a sofa or a sideboard aim for two thirds to three quarters of the furniture width, and hang the center at eye level. Cut paper to size and tape it to the wall before you order. The original is in a private collection. Full size guide.
30-day returns on unframed prints. Shipping, framing, care and returns are covered in our Help & FAQ.

About the Painting

In Sandro Botticelli’s "Christ as Man of Sorrows with Angels Halo," the masterful interplay of Renaissance artistry and deep religious symbolism is vividly on display. Botticelli, known for his delicate lines and ethereal figures, presents a haunting image of Christ. This Christ, unlike the triumphant savior of resurrection scenes, is the embodiment of human suffering and divine sorrow.

His eyes, laden with a profound melancholy, gaze directly at the viewer, evoking a sense of shared suffering and silent communion. The thin, downturned lips, and the slightly furrowed brow contribute to this poignant depiction of sorrow. The face, framed by long, flowing hair, is a study in Renaissance portraiture, with its emphasis on human emotion and divine pathos.

The crown of thorns, a brutal reminder of Christ’s Passion, sits atop his head, piercing the flesh and drawing blood. Yet, it is the halo that captures Botticelli’s genius – a delicate wreath of angels encircles Christ’s head. These angels, tiny and meticulously rendered, carry the instruments of the Passion: the ladder, the spear, the sponge, and the cross. They are both his tormentors and his celestial companions, emphasizing the duality of Christ’s nature – fully human in his suffering, fully divine in his endurance.

The red robe, symbolizing both martyrdom and royalty, further enhances the painting’s dramatic tension. The crossed hands, bound and yet composed, add a final note of resigned dignity. Botticelli’s use of color – the rich, deep red of the robe against the darker, somber background – draws the viewer’s eye to the central figure, making this a powerful meditation on suffering, sacrifice, and redemption.

In this intimate, almost claustrophobic portrayal, Botticelli invites us not just to look, but to feel the sorrow of the Man of Sorrows, making it a profoundly moving piece of art.

1 Review

1 Review

5.00 Overall rating

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Jason Verified Buyer
It’s good,Thankyou.The rest picture I was a bit worried about ,but once I’ve made frames I’m sure it will look smart on my stairs

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