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Landscape Paintings Art Prints and Posters
Aivazovsky, Ivan Konstantinovich 1817-1900
Bellotto, Bernardo 1720-1780
Bierstadt, Albert 1830-1902
Boudin, Eugene 1824-1898
Bruegel the Elder, Jan 1568-1625
Canaletto, Giovanni Antonio Canal 1697-1768
Cantonese School, 19th century
Cezanne, Paul 1839-1906
Chinese School, 19th century
Church, Frederic Edwin 1826-1900
Cole, Thomas 1801-1848
Constable, John 1776-1837
Friedrich, Caspar David 1774-1840
Gifford, Sanford Robinson 1823-1880
Gogh, Vincent van 1853-1890
Guardi, Francesco 1712-1793
Heade, Martin Johnson 1819-1904
Hobbema, Meindert 1638-1709
Inness, George 1825-1894
Jongkind, Johann 1819-1891
Levitan, Isaac Ilyich 1860-1900
Monet, Claude 1840-1926
Moran, Thomas 1837-1926
Pissarro, Camille Jacob 1830-1903
Ruisdael, Jacob van c.1628-1682
Savrasov, Alexey Kondratyevich 1830-1897
Shishkin, Ivan Ivanovich 1832-1898
Wolf, Caspar 1735-1783
Bellotto, Bernardo 1720-1780
Bierstadt, Albert 1830-1902
Boudin, Eugene 1824-1898
Bruegel the Elder, Jan 1568-1625
Canaletto, Giovanni Antonio Canal 1697-1768
Cantonese School, 19th century
Cezanne, Paul 1839-1906
Chinese School, 19th century
Church, Frederic Edwin 1826-1900
Cole, Thomas 1801-1848
Constable, John 1776-1837
Friedrich, Caspar David 1774-1840
Gifford, Sanford Robinson 1823-1880
Gogh, Vincent van 1853-1890
Guardi, Francesco 1712-1793
Heade, Martin Johnson 1819-1904
Hobbema, Meindert 1638-1709
Inness, George 1825-1894
Jongkind, Johann 1819-1891
Levitan, Isaac Ilyich 1860-1900
Monet, Claude 1840-1926
Moran, Thomas 1837-1926
Pissarro, Camille Jacob 1830-1903
Ruisdael, Jacob van c.1628-1682
Savrasov, Alexey Kondratyevich 1830-1897
Shishkin, Ivan Ivanovich 1832-1898
Wolf, Caspar 1735-1783
Landscape Paintings - Art Prints and Posters
Idealized landscapes were common subjects for fresco decoration in Roman villas. Landscape painting (as exemplified by a Chinese landscape scroll by Ku K'ai-chih dating from the 4th century) was an established tradition in the Far East, where themes such as the seasons and the elements held a spiritual significance.
In Europe, imaginary landscapes decorated 15th-century Books of Hours. The first naturalistic landscapes were painted by Durer and Bruegel. Landscapes appeared in most Renaissance paintings, however, only as settings to portraits and figure compositions.
It was not until the 17th-century Dutch and Flemish schools of Rembrandt, Jacob van Ruisdael, Meindert Hobbema, Aelbert Cuyp, Rubens and Hercules Seghers - that they were accepted in the West as independent subjects.
The most significant developments in 19th-century painting, however, were made through the landscapes of the Impressionists and the Post-Impressionists. Styles in landscape painting range from the tranquil, classically idealized world of Poussin and Claude, the precise, canal topography of Francesco Guardi and Canaletto and the structural analyses of Cezanne to the poetic romanticism of Samuel Palmer and the later Constable's and Turner's and the exultant pantheism of Rubens and Van Gogh.
Modern landscapes vary in approach from the Expressionism of Oskar Kokoschka's cities and rivers, Maurice de Vlaminck's wintry countrysides, and John Marin's crystalline seascapes to the metaphysical country of Ernst, Dali, and Rene Magritte.



